TREEFORT 2025
After last year’s chaos of nonstop interviews, darting between venues, and snapping photos of incredible bands, I decided to take a step back this year at Treefort. I wanted to truly experience the festival, not as a press representative, but as a person in the crowd, soaking it all in. From March 26th to the 30th, I caught 33 sets, took some photos here and there, but mostly just let the energy of the festival carry me.
Right before Treefort kicked off, SXSW announced it was cutting its music weekend, leaving many people wondering what would fill that gap. Honestly? Treefort might just be the one to do it. This year’s lineup was stacked: Remi Wolf, Amyl and the Sniffers, Vundabar, Yot Club, Tommy Newport, and the list goes on. All single-day passes for Wednesday, March 26, through Sunday, March 30, 2025, sold out before the festival. By March 28, 2025, all 5-Day General Admission, Zipline, and U21 passes were officially sold out.
With that much hype, though, came some long lines—and I won’t lie, it was tough trying to catch everything I wanted. Some of my favorite sets were nearly impossible to get into. But here’s the thing: while it’s frustrating in the moment, it also pushed me to be spontaneous. Instead of standing in line forever, I wandered into shows I hadn’t planned on—and more than once, those turned out to be some of the best sets I saw.
That’s the real charm of Treefort. Over 400 artists take over an entire town—venues pop up everywhere, from bars to parks to strip malls. If there’s space, there’s probably a band playing. It’s wild, and it makes the whole thing feel like a giant scavenger hunt for music.
A Festival That Just Keeps Getting Better
This year pulled me out of my comfort zone in the best way. Instead of chasing down “the best” act, I just followed the music, and it paid off. Treefort is growing—not just bigger but smarter. The booking, the flow, the way the team adapts each year—it’s all evolving in real time, and that’s rare.
During a quick photo shoot with Naked Giants, we chatted about how they played Treefort back in 2018. Seven years later, they said it still felt just as welcoming. That says a lot. I also got to see Horse Bitch, a band I hadn’t heard much about—and wow. The room started out nearly empty but filled up fast once they hit their first note. That kind of surprise magic? It’s everywhere at Treefort.
The best part? I didn’t see a single band play to an empty room. Every crowd brought energy, every lineup felt intentional, and every set felt like it mattered.
Year 13 is in the books, and it’s safe to say Treefort isn’t slowing down anytime soon. I’m looking forward to seeing how it improves next year.
I would like to personally thank the Treefort press staff for the opportunity to cover the festival. Hang over passses are onsale now! Grab them early and gear up for Treefort 2026!
Writer/Editor/Photographer: Samantha Klopp